Modern Comics Exploration
Read your way through the recent history of comics
The comics that we read have a way of insinuating themselves into the work that we make. Whether it's your childhood love of Peanuts or your teenage obsession with Batman, the themes, characters and page dynamics return to us.
In Modern Comics Exploration, develop a critical eye and practice the language of comics through weekly readings, online discussions and a short essay response to questions about the unique art and literary form that is comics!
Weekly critical and creative readings
Online discussion forum
Direct feedback and engagement from Instructor
Course details
Welcome to Modern Comics Exploration
Week One: Intro to Comics
Week one handout
(Required) What is a Graphic Novel by Jessica Abel
(Optional) How to Make Comics and Cartoons by Liana Finck
(Optional) Norman Eights Left Arm by Theo Ellsworth
(Optional) A Feeling by Chris Ware
(Optional) Sleep Walk and Other Stories (extract) by Adrian Tomine
(Optional) Mister O by Lewis Trondheim
Week 1 Video Archive and Chat Log - 2020-10-27
Week Two: Comics as Literature
Week two handout
(Required) The Long Weekend in Alice Springs by Josh Santospirito
(Optional) Long Weekend in Alice Springs Essay by Craig San Roque
(Optional) PS by Miranda Burton
(Optional) Waiting for Something to Happen by Pat Grant
Week Three: Drawing Time and Space
Week three handout
(Required) Raw Feels (extract) by Leonie Brialey
(Recommended) The Making of Here by Richard McGuire
(Recommended) Raw Feels (Part One) by Leonie Brialey
(Recommended) Raw Feels (Part Two) by Leonie Brialey
Week Four: The Comics Form
(Optional) Kindling (extract) by Xia Gordon
(Optional) From Abstract Comics (Part One)
(Optional) From Abstract Comics (Part Two)
Week Five: Autobiographical Comics
(Required) The Infinite Wait by Julia Wertz
(Optional) I Never Liked You by Chester Brown
(Optional) Can We Talk About Something More Pleasant (extract) by Roz Chast
Instructor Bio: