Weekly check-ins and mentoring

In this 6-weeks you'll have weekly check-ins and critique/feedback calls with the SAW mentor of your choice. 

Course curriculum

  • 01
    Small Cohort Mentoring
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    • Mentoring guidelines
  • SAW 2020-2021 Faculty

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    STAY INSPIRED

    Tom Hart is a cartoonist has been the Executive Director of The Sequential Artists Workshop, a school and arts organization in Gainesville, Florida since 2012.

    His 2016 memoir, Rosalie Lightning, debuted at #1 on the New York Times Bestseller List and was featured on many Best-Of-2016 lists.

    His Hutch Owen series of graphic novels and books, were nominated for all the major industry awards. His The Collected Hutch Owenwas nominated for best graphic novel in 2000. He was an early recipient of a Xeric Grant for self-publishing cartoonists, and has been on many best-of lists in the Comics Journal and other comix publications. He has been called “One of the great underrated cartoonists of our time” by Eddie Campbell and “One of my favorite cartoonists of the decade” by Scott McCloud. His daily Hutch Owen comic strip ran for 2 years in newspapers in New York and Boston, and his “Ali’s House”, co-created with Margo Dabaie was picked up by King Features Syndicate.

    He was a core instructor at New York City’s School of Visual Arts for 10 years, teaching cartooning to undergraduates, working adults and teens alike. Among his students were Dash Shaw, Sarah Glidden Box Brown and other published cartoonists like Leslie Stein, Jessica Fink,Josh Bayer, Brendan Leachand many others. He has taught comix and sequential art at schools and institutions all around New York City for more than 10 years, and has conducted week-long workshops from Maine to Hawaii. He also teaches sequential art in the School of Art and Art History at UF.

    His website is http://www.tomhart.net

    Tom Hart

    Executive Director of The Sequential Artists Workshop

  • SAW 2020-2021 Faculty

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    Jess Ruliffson is and award-winning cartoonist currently interviewing veterans of the Iraq and Afghanistan Wars for a full-length graphic novel. She’s given lectures and workshops at The Drawing Center, The Center for Cartoon Studies, and The Sequential Artist Workshop. She recently completed artwork for The Odyssey of Sergeant Jack Brennan by Bryan Doerries, available April 2016 from Pantheon Books. Other clients include The Boston Globe, Wilson Quarterly, Oxford American, E-Line Industries, Columbia University School of Journalism, Medium.com, PEN America, The NYC Police Foundation, Symbolia Magazine, The Cartoon Picayune, and So What? Press.

    Jess Ruliffson

    Instructor

  • SAW 2020-2021 Faculty

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    SURPASS YOUR LIMITS.

    Hey, I'm Justine, and I've been with SAW from the beginning. Before SAW I was a veteran pro... but before that, I, presumably, like you, had no idea where to begin. I had ambition, hunger, desire, but no focus, no discipline, no chops, and worse, no mentors. I knew what I wanted, but I also knew how lousy I was and how little I knew, and worse, that no one at college was qualified to help me learn what I really needed to know.

    The worst part was, I was so ignorant when it came not only to art, but to comics, that I was drowning in my own naivete. I didn't know where to begin...

    Then I met my mentors, P. Craig Russell, Val Mayerik, Dan Adkins, Jim Steranko, Frank Thorne, John Workman, and Jeff Jones. At first it was brutal, I was immediately confronted with the shameful realization that I didn't know a damn thing bout drawing, nor about comics, and I suddenly felt an urgent need to get it together and get down to the hard work of learning the hard stuff, of learning the discipline of setting aside the fun stuff to focus on fundamentals.

    Then, for decades, I worked 60 hours a week, I made a lot of sacrifices, and did every damn thing my mentors told me to do. In that time, I completed 4 published graphic novels for Fantagraphics, inked for DC Comics, Image Comics, and created hundreds of illustrations for WOTC/Dungeons & Dragons, as well as for Lucasfilm, and countless more images for numerous clients in a wide range of projects from ballet stage design to animation.

    It's my philosophy that most of my students have set the bar too low for themselves, that they have no idea just how good and how BIG they can become as artists, if only they make wise conscious choices.

    What I excel at is saving my students time and suffering. I learned it the hard way so my students don't have to. Of all the gifts I have, perhaps the one I am most proud of is my ability to take complicated concepts and distill them into something I can pass along to my students. My students not only learn from my successes, but my failures, and if you learn from me, you are not only learning from me, but you will be learning all my mentors taught me.

    Through me, they and my own life lessons will all be teaching you together, and not just how to draw good comics, but about how to prioritize, set achievable goals, and how to avoid temptation and learn the discipline it takes to become great rather than merely good.

    My website is barefootjustine.com

    Justine Mara Andersen

    Drawing and Inking Maven